Looking back on the blog from a few months back about The Dirty Projectors’ “Bitte Orca”, I found myself talking – like most other critics did, of course – about the contemporary R&B influence on the band, especially to the fore on “Stillness Is The Move”.
Tony Wadsworth: I loved this album, again it was one of those things where you didn’t know what was going to happen next. It mixed together styles and arrangements that were completely original and unpredictable.
“I think this band will be hugely influential,” suggested Billy Bragg during the judging sessions for this year’s Uncut Music Award. “In the next couple of years we’ll be hearing young bands lifting the tensions and the rhythms of Tinariwen.”
Hans-Peter Lindstrøm is someone I’ve written a fair bit about this year, for his Krautnoodle disco marathon with Prins Thomas, “II”, and especially for his amazing remix of “Ant 10” by the Boredoms on “Super Roots 10”.
First off this week, a quick reminder that we’ve just announced Tinariwen as the winner of our annual Uncut Music Award. I’ve started posting transcripts of the judges’ discussions on the Uncut Music Award blog, beginning with their opinions on Tinariwen and Animal Collective. Kings of Leon, Bob Dylan, Wilco, The Dirty Projectors, Grizzly Bear and The Low Anthem will be coming up over the next week or so.
Following on from yesterday's post about Tinariwen, here's a transcript of the Uncut Music Award judges discussing Animal Collective's "Merriweather Post Pavilion".