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John Mulvey ...

John Mulvey

Uncut’s Great Lost Albums: Part Two

Previously: 50-35

Uncut’s Great Lost Albums: Part Three

Previously: 50-35, 34-17

Arp: “The Soft Wave”

Some correspondence over the past week or so regarding The Alps, whose new album I must admit I’m yet to hear: the last one was pretty cool, something like a kind of psychedelicised Air, if I remember right.

The 25th Uncut Playlist Of 2010

Possibly there may be other matters preoccupying English readers today (and some American ones, come to that), and I can’t pretend that all the records here – the new MIA album, for instance – might be suitable for taking the potential pain away.

Robert Plant: “Band Of Joy”

Among the many highlights of Robert Plant & Alison Krauss’ “Raising Sand”, I kept coming back to their take on Gene Clark’s “Polly Come Home”. Had they, and I guess their producer T-Bone Burnett, captured the uncanny gravity of Low on purpose, or by some equally uncanny accident?

The Best Of 2010 Thus Far: Your Favourites

I’ve just had a look at all your suggestions on the Best Of 2010 blog from last week, and managed to crunch them all into a chart of sorts.

James Blackshaw: “All Is Falling”

In some circles, it’ll be construed as heretical behaviour: James Blackshaw not touching an acoustic guitar for the duration of an entire album, favouring instead a 12-string electric. For someone who’s been proclaimed, not infrequently here, as some kind of saviour of folk guitar or whatever, it’s something of a shock.

The 24th Uncut Playlist Of 2010

First up, thanks for the fantastic response to the Best Of 2010: Halftime Report. Please keep your own charts coming, and I’ll try and collate them into some kind of masterlist in the next few days.

The Best Of 2010: Halftime Report

A bit of anal-retentive listmaking today: my favourite 30 albums of the year so far (though I imagine I’ve forgotten one or two, and there’ll be a bunch more good ones that I haven’t heard as yet).

Mount Carmel: “Mount Carmel”

A clusterfuck of heaviness in the past couple of days – Endless Boogie’s Primavera jam, the Groundhogs box set, finally hearing the bonus seven-inch tracks from Magic Lantern’s “Platoon”, news that Eternal Tapestry have signed to Thrill Jockey – reminded me to write about Mount Carmel’s self-titled on Siltbreeze.
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Previously: 50-35 34 JOHNNY THUNDERS Hurt Me NEW ROSE, 1983; ESSENTIAL, 1995 (CD) So Alone is the title of Thunders’ best known solo LP, but the New York Doll never sounded more exquisitely alone than on this, recorded in Paris in the winter of 1983. Given his instant association with that ...

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