Pretty interesting and diverse list, I think, pieced together under some moderately intense deadline heat. “Raid” by Pusha T with Pharrell and 50 Cent is the best rap track I’ve heard in a while, though truth be told I haven’t heard much in a while.
Among the multitude of underground micro-genres that have grown like bacilli these past few years, one of the most refined is ‘Modern Classical’. Ostensibly, much of the music that is sold under this pretext is a kind of evolved ambience, with compositional pretensions: a tidy hybrid of Gavin Bryars, Brian Eno and Erik Satie that is almost invariably pleasant, but which often seems to affect substance without actually delivering it.
Been a while, but I have a selection of excuses: finishing one issue of Uncut; pondering a longish Album Of The Month review that I’ll post here asap; getting deep into the business of another Uncut Ultimate Music Guide, to follow up our Bowie edition; crunching the votes for the mag’s albums/reissues of 2011 charts; and so on.
As a general rule, I tend to think that my complete lack of musical ability hasn’t been too much of a handicap to a career as a critic. Unburdened by doomed musical projects – or, indeed, talent – it means I can avoid judging the success of artists against any creative failures of my own.
Highlights this week: Thee Oh Sees; a 30-minute live version of “Spoon” on the repackage of “Tago Mago”; and prolonged, intimate exposure to “Wolfroy Goes To Town”.
A new Bonnie ‘Prince’ Billy album often prompts me to visit a remarkable resource called The Royal Stable, a website dedicated to thoroughly cataloguing and cross-referencing this most fiendishly complicated of musical careers.