For the current issue of Uncut, I interviewed Damon Albarn as part of my piece on his “Dr Dee” project (you can read it here). There wasn’t room for all of his answers in the mag, but today’s announcement of extra Blur dates prompted me to post the whole thing here.
A week somewhat overshadowed by the Dexys show that I wrote about yesterday. Apologies for banging on about this some more, but the comments on my blog are definitely worth reading, and I’ve embedded below some unusually high-quality clips of “This Is What She’s Like”, “Lost” and “Come On Eileen”…
A couple or so weeks ago, Jack White requested that no photos to be taken at his London show: the audience should put down their phones and concentrate on the gig in a different way, was his implied suggestion.
In case you missed them yesterday, I’ve embedded the two new Animal Collective tracks after the jump. Back into relative focus after the “Transverse Temporal Gyrus” thing, and with Avey Tare seemingly to the the fore; he almost seems to be rapping at the start of “Honeycomb”.
Plenty to be getting on with here, but a couple of things before I run this week’s list. First up, after all the talk (plugs own blog once more), Neil Young & Crazy Horse’s “Oh Susannah” is out there. Video after the jump.
In 1570, a few years before he became preoccupied with alchemical quests, heretical visions and attempts to divine the language of angels, Dr John Dee was commissioned to write a government report on the state of England.
One swift month ago, I wrote a blog about Ty Segall and White Fence’s excellent Hair album, repeating a story that Segall had another couple of albums in the pipeline. Well, one has already turned up; but before we get there, perhaps check this astounding live clip of Segall, Tim ‘White Fence’ Presley, Mikal Cronin et al going for it on “Scissor People”:
I’ve never been a particularly assiduous follower of Ryan Adams, but my favourite thing I’ve ever heard him do was a version, with The Cardinals, of “Goodnight Rose” on a Henry Rollins show.
One of a bunch of interesting Record Store Day exclusives just turned up for this week’s playlist; a lovely EP from Bonnie ‘Prince’ Billy that involves Jonathan Wilson in some capacity, and features covers of Leon Russell and Merle Haggard.
How to tell whether Jack White has brought his male or his female band along to a show? As the suited roadcrew prepare the stage at the Forum, one suspects the answer might be in the drumkit, sheathed until the very last moment; something about the positioning of Daru Jones’ bass drum, perhaps?