A couple of the mystery records from recent playlists have, as you’ll see, magically revealed themselves this week. I imagine you may have questions…

Reading Twitter – as I do, too much – it seems as if most people I follow are in some way shocked and amused by the belated discovery that Bob Dylan has got a, yes, funny voice.

One bright morning a couple of weeks ago, I was unpacking CDs in my new house and found Four Tet’s “Pause” as an ideal soundtrack. Eleven years old, it still sounded wonderful: beatific but fleet of foot; contemporary in spite of folktronica, or whatever it was called (the pricelessly daft “Idylltronica” was even better), being a very fleeting fad. I think Kieran Hebden once blamed me for coming up with that folktronica tag; wrongly, I hope.

A good week, in that I wrote a couple of new blogs about the Allah-Las and Dan Deacon albums, finally tracked down a copy of “Meet “Mississippi” Charles Bevel”, and heard the Baird Sisters’ beautiful record (one of them is Meg Baird from Espers) and Four Tet’s “Pink” comp.

On www.allah-las.com, the Los Angeles band of the same name have posted a bunch of unusually excellent mixtapes. The latest, “Reverberation #25”, is pretty typical, taking in the likes of Jim Sullivan and Tim Hardin as well as the group’s backwards-facing contemporaries: White Fence, Sonny & The Sunsets and another bunch out of what always seems to be an unbelievably small and cliquey LA indie scene, The Beachwood