I don’t have any tattoos, for many reasons, but one of the best I can think of is that I don’t trust my aesthetic tastes to remain constant. I don’t feel confident that the art I like now will all, necessarily, be the same things that I like a few years down the line.
At the end of November 2012, Low released a short video trailer for their forthcoming tenth full album, “The Invisible Way”. There is some static, and Mimi Parker talking about some “exceptional peaches”, then a cascading piano line fades in. After 44 seconds, and before the clip has revealed much of a shape as a song, the clip ends.
Until I woke up this morning and checked Twitter, I had planned to write something about the new Low album today. The enormously unexpected return of Bowiemania put paid to that; I’ll try again with Low tomorrow, unless in the intervening 24 hours Kevin Shields is finally shamed into pulling his finger out.
Could be wrong about this, but I think the track I posted and tweeted most often last year was “Sunshine, No Shoes” by the Philadelphia band, Spacin’: I’m going to add it again after the jump. Spacin’, to recap - though you can follow this link to a blog about them - are a project fronted by Jason Killinger, a spin-off from a longish-established Philly psych band called Birds Of Maya; BOM’s amazing “Ready To Howl” album got a belated UK release last year on Agitated.
Happy new year, everybody. Bit of a tentative start to 2013, though the new issue with Gram Parsons on the cover has just arrived in UK shops. A plug, too, for the next Uncut Ultimate Music Guide, dedicated to The Beatles, which I think is out January 17.
We seem to be posting a lot more lists than actual joined-up writing at the moment – Michael’s just put Uncut’s full Top 75 of 2012 on the website, with links, and is promising our Archive/Reissues chart tomorrow – but, hey, here’s another. Among some other good new arrivals, another strong recommendation for Parquet Courts: check them out here.
While rolling out my Top 112 albums list last week, a couple of people understandably asked what some of those records actually sounded like. Maybe this’ll help: ten of my favourite tracks of 2012…