And on we go with the judges' discussions. Today: The Felice Brothers. Tomorrow: Fleet Foxes.

A strange moment, on Friday night. Sitting somewhere quite close to the roof of the O2 Arena, it seems to me as if several thousand people are singing, simultaneously, in a scarcely-audible whisper. Onstage, Leonard Cohen and his extraordinary band are playing “Hey, That’s No Way To Say Goodbye”, with a softness, precision and clarity that I can rarely recall hearing at an arena show.

We have a couple of reviews of last week's extraordinary Leonard Cohen shows up on the Uncut site.

Episode Three of our judge's discussions, and today we find them discussing Drive-By Truckers. Tomorrow, The Felice Brothers.

A bumper list this week, as the 2009 releases start arriving in the Uncut office. Not everything here is going down ecstatically, but a first listen to the new Fennesz album today suggests that one was well worth waiting for. In the continuing absence of those My Bloody Valentine reissues, let alone any unreleased material from Kevin Shields’ archives, “Black Sea” really deserves to bring Christian Fennesz to a wider audience, I think.

As promised, the judges' prevarications over the Uncut Music Award shortlist continue today. Here's what they said about the Elbow record. Monday, I'll post the Drive-By Truckers discussions.

As you may have seen elsewhere on our website, the first winners of the Uncut Music Award have just been revealed as the Fleet Foxes. I spoke to Robin Pecknold last week to get his reaction, and found out a couple more things from him. One, he’s as anxious to hear the new Animal Collective album as many more Wild Mercury Sound regulars.

As promised, here are the judges discussing Bon Iver's "For Emma, Forever Ago". Tomorrow, find out what they had to say about Elbow.

Finally, we're pleased to announce that the winners of the first Uncut Music Award are Fleet Foxes for their debut album, "Fleet Foxes". Over the next couple of weeks, we'll be posting transcripts of the judges' deliberations here. Today, we start with the judges' summing-up. . .

The first time I heard Eagles Of Death Metal, I was backstage at a festival in Bologna, trying to interview Queens Of The Stone Age even though Josh Homme, dancing like a menacing and mildly suggestive uncle, was more interested in playing me his new side project.