In a splendid piece of counter-intuitive programming, Whit Stillmanโs first film for 14 years โ Damsels In Distress โ was released in UK cinemas on the same day as Marvelโs superhero team-up, Avengers Assemble.
An predictably elegant and distinctive comedy, Stillmanโs film mixed references to the works of obscure British novelists with lengthy discussions on โthe decline of decadenceโ and the unusual sexual proclivities of a 12th century religious order. As a reminder of Stillmanโs core strengths after so long an absence, it was perfect. Notionally set during the present day, it felt a lot like Stillmanโs previous dispatches from the drawing rooms of Manhattanโs Upper East Side; artful chamber pieces that in turn evoked earlier eras.
For Love & Friendship, Stillman has adapted a Jane Austen novella, Lady Susan. Austenโs comedy of manners is an easy fit for Stillman, and he is reunited here with Kate Beckinsale and Chloรซ Sevigny, the stars of his 1998 almost-hit, The Last Days Of Disco. Beckinsale plays Lady Susan Vernon โ โa genius of an evil kindโ, a widow out to secure her position in society via favourable marriages for herself and her daughter. Confronted at one point with some unflattering truths, she poo-poos them, โFacts are such horrid things.โ
Stillman directs with the zing of a Howard Hawks comedy while his screenplay fluidly reshapes Austenโs formal prose (in this case, Lady Susan was an epistolary novella) into sharp, accessible dialogue. Around Susan orbit a series of largely clueless, if often well-meaning male characters. They are described by on screen captions as, variously, โa divinely attractive manโ or โa bit of a rattleโ. There is Tom Bennett as a considerably wealthy but hopelessly dim suitor; The Thick Of Itโs Justin Edwards as Susanโs soft-hearted brother-in-law; Stephen Fry as Sevignyโs gouty husband; James Fleet as the concerned father of one of Susanโs intended victims. Thankfully, Bill Nighy is nowhere in sight.
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