Riffing on early David Mamet or Neil LaBute, writer-director Patrick Stettner's superb three-hander anatomises the airless, amoral culture of top-rank executives. In a faceless airport hotel, high-flyer Stockard Channing plays sadistic sex-and-power games with young business rival Julia Stiles and corporate headhunter Frederick Weller. Sharp, astringent, and proof that complex ideas and strong performances transcend even minimal budgets.