Before I dig into this, a couple of bits of housekeeping. Firstly, apologies to Nick Hasted, who we inadvertently omitted to credit for last monthโ€™s Nick Cave cover story. Secondly, a quick heads up to all print subscribers that this issue comes with a second CD โ€“ the latest instalment in our ongoing Selected Works series, this one celebrating Cassandra Jenkins. You might have noticed Cassandraโ€™s recent album My Light, My Destroyer in our Albums Of The Year and weโ€™re delighted to have been able to further support her work on this rather special, 5-track CD. If youโ€™ve come to Cassandraโ€™s music belatedly, this is a great way to catch up with some of her earlier recordings.

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Thereโ€™s a lot going on inside our January 2025 issue, of course โ€“ including our Kate Bush cover story, Alastair McKayโ€™s hilarious double-header with The Damnedโ€™s chief mischief makers, Captain Sensible and Rat Scabies, Nick Hastedโ€™s definitive dive into James Mangoldโ€™s Bob Dylan biopic A Complete Unknown and Neil Spencerโ€™s peerless adieu to Quincy Jones. But for us, the big piece of work this month is our annual review of the year to come. A masterful job by Sam Richards and Tom Pinnock here, itโ€™s pretty much mapped out the key albums of 2025 โ€“ from Patterson Hood to Alabaster DePlume, Lucinda Williams to Modern Nature. Myself and both my predecessors have often been accused of blathering on about โ€˜vintage yearsโ€™ for music, but looking ahead it genuinely feels like thereโ€™s plenty of new music to be excited by.

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